#Poeme portugais aquarelo do brasil Pc#
#Poeme portugais aquarelo do brasil series#

Since the games have to be ported completely to a new engine to make a PC version.Īnd btw, pretty pictures don't make a good game. Reign de Fleurs is a very big letdown in terms of story - every single char in this game cries and is a total psycho.Īnd I'm 90% sure Utapri will never be brought over since Brokkoli won't lower their licencing fees. Of course there are other companies to consider like D3 Publisher, who already brought over the mobile version of Otoko Yuukaku. And their otome depatment has been reworked from the ground and they've come back with a very strong lineup in Japan. Maybe they'll bring over someting sometime later. Originalmente postado por house-special curry:Er, being a PS Vita port is kinda important since a lot of fans prefer to play that way? Not only that, but you increase your customer audience. That said, I seriously hope they're not limiting their options by what has an anime or not (Code: Realize is getting adapted too, btw). The leftover options are kinda terrible imo (beg pardon to fans of those products). Otomate have been porting their best games since a while, but surely haven't announced all port yet. What I meant was not that the PSV port absolutely has to be on sale already or be announced but that we can talk without only thinking about them.ĭidn't hear about the adaptation of C:R.

Which actually makes me think even more that western localizations mostly depend on anime.

I really hope for better ports in the future. Snowbound Land, Chronostacia, Glass Heart Princess, Natsusora no Monologue, Desert Kingdom, Black Wolves Saga, Gekka Ryoran Romance, Nise no Chigiri, LGS and SYK and several others weren't bad at all, some of them even great and my longtime favorites, even though most of them will never see a Vita port. What was ported, were only games which were still popular during the last few years and deemed worthy of being milked. Diabolic Lovers is by no means a good series.

#Poeme portugais aquarelo do brasil series#

I liked the first installment because of the psychological background of the characters but the 2nd was so unbelievably bad I abandoned the series for good. Poeme portugais aquarelo do brasil series# But just like the western older women longed for something like 50 Shades, the Japanese women longed for something abusive as well. Otomate seems in kinda a creative crisis since 1-2 years and their recent release have mostly been sequels or crazy experiments. A game about Marie-Antoinette, wtf? The story of Reign de Fleurs is a letdown. And the minigames, ugh! Ninkoi would have been better if it were more of a parody. Hakuoki is being milked to a slow painful death for years. I could rant for hours but at least Otomate still releases new games as compared to QuinRose who have been porting their WHOLE library first to the PSP, then to the Vita.

Poeme portugais aquarelo do brasil series#.

Poeme portugais aquarelo do brasil code#.

The segment then ends as we see the Brazilian landscape at night, ending the film. With Donald used to the samba, the artist draws musicians playing samba music as we see silhouettes of Donald dancing with a beautiful woman at Copacabana. Donald tastes the cachaça and José tells him that he is now used to doing the samba.

Arriving at a café, Donald then grabs a drink whom he thinks it is soda pop, but José tells him that the drink he is using is cachaça. José then takes Donald to the town to show him the rhythm of samba. He constantly asks him in Portuguese but Donald gives him a translation book. The artist then draws José Carioca, a green parrot who greets Donald. After the artist draws a bee and then gets eaten by a flower, it transforms into Donald Duck who ends up in the Brazilian landscape. This short helped introduce North Americans to the songs ' Aquarela do Brasil' and ' Tico-Tico no Fubá'.Īn artist draws a landscape of Brazil and adds color to match the music. A short impressionistic view of Brazil turns into Donald Duck getting dance lessons from José Carioca.